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		<title>&#8220;The Cryptography of Dante&#8221; (1921) di Walter Arensberg: una lettura dadaista della &#8220;Commedia&#8221;</title>
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		<dc:creator><![CDATA[danieleruini]]></dc:creator>
		<pubDate>Tue, 30 Jun 2026 15:13:58 +0000</pubDate>
				<category><![CDATA[LETTERATURA, FILOLOGIA E TRADUZIONE]]></category>
		<category><![CDATA[Dadaismo]]></category>
		<category><![CDATA[Dante]]></category>
		<category><![CDATA[Marcel Duchamp]]></category>
		<category><![CDATA[Walter Arensberg]]></category>
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					<description><![CDATA[Ciò che dà un senso al nostro comportamento&#160;è sempre qualcosa che c’è sconosciuto (Milan Kundera,L’insostenibile leggerezza dell’essere) 0. Ricostruendo la storia della ricezione critica della&#160;Commedia, Alberto Casadei ha recentemente evidenziato come «dopo l’avvento delle avanguardie il rapporto con il poema dantesco diventa ben presto molto più tecnico e, se vogliamo, trasgressivo»[1]: dopo le letture erudite [&#8230;]]]></description>
		
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